A selection of projects is listed at the bottom of this site.

NOTES

October 2, 2020
 

The solo exhibition Sympathetic Resonance at Kunsthalle Osnabrück began with a folded letter to every visitor in which I shared some stories, thoughts and dreams about each work. Created as a gift ritual, each folding line represented a breath of mine.

more info about the exhibition here -> Sympathetic Resonance
September 20, 2020

 

My text on Listening was published in Japanese and French for Flat Magazine, a project by Kaori Fujimoto.

read the text -> Earth Rhythms

ABOUT

The work of Ayumi Paul consists of site responsive composition, concert, ritual, performance, film, score weaving and installation. The intrinsic sound of existence is essential to her conceptual approach to creating projects which dedicate to the infinite possibilities of listening.

She trained as a classical violinist at Hochschule für Musik Hanns Eisler in Berlin and Indiana University and played concerts at the world’s most sought after concert halls for more than 15 years while developing her own artistic language as a composer. After several years of also performing internationally within the experimental music scene she has in recent years become more widely known in the visual and performative art context. Her work was presented at Kunsthalle Osnabrück (2016), Esther Schipper (2017), National Gallery Singapore (2018), and Galerie Thaddaeus Ropac Paris (2018).

For 2020 the Philharmonie de Paris had commissioned new music and a new performance of her project We Are We (performance cancelled due to Covid-19) and her first institutional solo exhibition SYMPATHETIC RESONANCE was presented at Kunsthalle Osnabrück. 

For further information, please contact 

 

ayumipaul(at)gmail.com

 

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A selection of PRESS & TEXT can be found here

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